“The poor wretch!” exclaimed Passepartout, “to be burned alive!”

“Yes,” returned Sir Francis, “burned alive. And, if she were not, you cannot conceive what treatment she would be obliged to submit to from her relatives. They would shave off her hair, feed her on a scanty allowance of rice, treat her with contempt; she would be looked upon as an unclean creature, and would die in some corner, like a scurvy dog. The prospect of so frightful an existence drives these poor creatures to the sacrifice much more than love or religious fanaticism. Sometimes, however, the sacrifice is really voluntary, and it requires the active interference of the Government to prevent it. Several years ago, when I was living at Bombay, a young widow asked permission of the governor to be burned along with her husband’s body; but, as you may imagine, he refused. The woman left the town, took refuge with an independent rajah, and there carried out her self-devoted purpose.”

While Sir Francis was speaking, the guide shook his head several times, and now said: “The sacrifice which will take place to-morrow at dawn is not a voluntary one.”

“How do you know?”

“Everybody knows about this affair in in Bundelcund.”

“But the wretched creature did not seem to be making any resistance,” observed Sir Francis.

“That was because they had intoxicated her with fumes of hemp and opium.”

“But where are they taking her?”

“To the pagoda of Pillaji, two miles from here; she will pass the night there.”

“And the sacrifice will take place—”

“To-morrow, at the first light of dawn.”

The guide now led the elephant out of the thicket, and leaped upon his neck. Just at the moment that he was about to urge Kiouni forward with a peculiar whistle, Mr. Fogg stopped him, and, turning to Sir Francis Cromarty, said, “Suppose we save this woman.”

“Save the woman, Mr. Fogg!”

“I have yet twelve hours to spare; I can devote them to that.”

“Why, you are a man of heart!”

“Sometimes,” replied Phileas Fogg, quietly; “when I have the time.”

The project was a bold one, full of difficulty, perhaps impracticable. Mr. Fogg was going to risk life, or at least liberty, and therefore the success of his tour. But he did not hesitate, and he found in Sir Francis Cromarty an enthusiastic ally.

As for Passepartout, he was ready for anything that might be proposed. His master’s idea charmed him; he perceived a heart, a soul, under that icy exterior. He began to love Phileas Fogg.

There remained the guide: what course would he adopt? Would he not take part with the Indians? In default of his assistance, it was necessary to be assured of his neutrality.

Sir Francis frankly put the question to him.

“Officers,” replied the guide, “I am a Parsee, and this woman is a Parsee. Command me as you will.”

Death seems the only desirable sequel for a career like this; but Death is only a launching into the region of the strange Untried; it is but the first salutation to the possibilities of the immense Remote, the Wild, the Watery, the Unshored; therefore, to the death-longing eyes of such men, who still have left in them some interior compunctions against suicide, does the all-contributed and all-receptive ocean alluringly spread forth his whole plain of unimaginable, taking terrors, and wonderful, new-life adventures; and from the hearts of infinite Pacifics, the thousand mermaids sing to them—“Come hither, broken-hearted; here is another life without the guilt of intermediate death; here are wonders supernatural, without dying for them. Come hither! bury thyself in a life which, to your now equally abhorred and abhorring, landed world, is more oblivious than death. dome hither! put up thy grave-stone, too, within the churchyard, and come hither, till we marry thee!”

Hearkening to these voices, East and West, by early sunrise, and by fall of eve, the blacksmith’s soul responded, Aye, I come! And so Perth went a-whaling.

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab.

“Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.”

“Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching-, not easily can’st thou scorch a scar.”

“Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

“Welding an old pike-head, sir; there were seams and dents in it.”

“And can’st thou make it all smooth again, blacksmith, after such hard usage as it had?”

“I think so, sir.”

“And I suppose thou can’st smoothe almost any seams and dents; never mind how hard the metal, blacksmith?”

“Aye, sir, I think I can; all seams and dents but one.”

“Look ye here then,” cried Ahab, passionately advancing, and leaning with both hands on Perth’s shoulders; “look ye here—here—can ye smoothe out a seam like this, blacksmith,” sweeping one hand across his ribbed brow; “if thou could’st, blacksmith, glad enough would I lay my head upon thy anvil, and feel thy heaviest hammer between my eyes. Answer! Can’st thou smoothe this seam?”